Goodnight Raleigh - a look at the art, architecture, history, and people of the city at night

The Conductor, the Flag and Sherman

 

PhC.19.58 Dallas T. Ward c. 1885 From the R. Beverly R. Webb Collection; State Archives, Raleigh.

PhC.19.58
Dallas T. Ward c. 1885
From the R. Beverly R. Webb Collection; State Archives, Raleigh.

It’s been said that every few minutes we take as many photos as all of humanity took in the 1880’s. In the mid 1800’s a photographic representation of reality was considered technological marvel. Needless to say, photography has changed a great deal over the past 150 years. Before camera phones, digital cameras, disposable film cameras or Kodak Brownies, there was the carte de visite — a small albumen print mounted on card stock measuring about 2″x3.5″. These small portraits about the size of a modern business card were traded among friends and family. Many times these small portraits ended up being pasted into blank books – the debut of the photo album.  Read more »

More Questions Than Answers: The Cobbler on Davie Street

Shoemaker S. M. Jones on E. Davie St. ca. 1926  From the Albert Barden Collection,  State Archives of NC (N.53.16.6674)

Shoemaker S. M. Jones on E. Davie St. ca. 1926
From the Albert Barden Collection, State Archives of NC (N.53.16.6674)

Very little was known about this photograph until Special Collections staff at State Archives decided to take a closer look — quite literally. Under high magnification and some considerable squinting, the sign above the man standing in the doorway was found to read “S. M. Jones” — beside it, a crudely painted boot.

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Throwback Thursday — Moving the Garland Tucker House

NO_5-12-1975_TuckerHseMove_Fr01

Person Street is home to several stately homes, but one in particular wasn’t always on Person Street. The Garland Tucker house at 414 N. Person Street once sat precisely one block west at 420 N. Blount Street. With all of the growth downtown over the past few years, there has been an increased interest in Raleigh’s older architecture — specifically what we’ve lost.

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